Handmade Philly + Tulpehocken Exchange: Winter Art Classes

We are stoked to announce a partnership between Handmade Philly and a new maker space, Tulpehocken Exchange. We are hosting a number of workshops at the new space, located in Germantown at 47 East High Street (the 47Arts building), including Silhouette Portraits, Holiday Watercolor Card Making, Winter Still Life Painting & Pastel Portraiture. We will be posting additional details in the near future, so stay tuned!

All classes are age 12 and up.

winter handmade philly classes kirsten ashley updated

Check out http://www.uglystepsisterart.wordpress.com for more details about Kirsten Ashley’s art work and upcoming classes.

To sign up, email info@handmadephilly.com

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June Meet Up: Make 3D glasses & experience a 3D member show @ Flying Carpet Cafe & Bar

Hosted by our member, Bonnie MacAllister. Learn how to make 3D glasses and use your new glasses to see her 3D art show at the Flying Carpet Cafe & Bar featuring fibers, painting, fabric prints, and more!

Bring one of your own works in progress to share with the group. 

The Flying Carpet Cafe & Bar features a full bar and full menu including but not limited to vegetarian options, small plates, specialty teas, and brunch items. The curried carrots are incredible!10299080_451928318284549_2565652561968721307_n images

RSVP here at our Facebook event.

Follow Bonnie on Instagram here.

Sunday, June 8 from 4-6 p.m.
at the
Flying Carpet Cafe & Bar
1841-43 Poplar Street
Philadelphia, PA 19130
(215) 235-2525 (restaurant phone)

 

 

 

A Visit to the Sugarloaf Craft Festival in Oaks, PA

Sugarloaf Crafts produces several festivals every year in the Northeast.  This November I attended the show at the Greater Philadelphia Expo Center.   When arriving with my Friday ticket, I received another ticket for entrance on Saturday or Sunday, which I thought was nice.  The show is huge, and one might not see everything on the first visit.   There are over 260 booths, so you might want to economize your energy by seeking out your favorite booths first and then doing your general browsing.    The event was wheelchair accessible.   If walking, wear comfortable shoes for the cement floors are hard on feet.  I’m including a few highlights here, and the photos should become larger with clicking.

Susan Wechsler Designs, Chester, NJ

Susan creates hand built, high fired, sculpted porcelain and stoneware.   Her works have dimension, texture, and use a rich palette of colors.  Much of her work is inspired by nature, as you can see with the shapes of leaves on many pieces.   Her red maple leaf line really picks up the actual colors of autumn.   She has an extensive line of cheese plates with coordinating knives, which would make a pleasing gift for just about anyone.

JMN Creations, Pittsburgh, PA

Joseph Lavrich was an experienced cabinet maker before directing his talents to wood turning.  He uses domestic woods to make his lovely creations.  He knows the characteristics of each type of wood, and uses this knowledge to make pieces of varying smoothness, color, and pattern.  He told me that although he might start off with a certain design in mind, he allows the wood itself to tell him how the design will actually “turn” out.

Simon Xianwen Zeng, Flushing, NY

Simon paints in acrylics and oils, and also has giclee prints of his originals for sale.  His works show lively colors in landscapes and nature, among other subjects.   In addition to brilliant, popping colors, his paintings’ subjects are clear and artfully succinct.   I especially enjoyed the painting of the autumn red tree, perfectly colored for fall, the leaves represented by even swirls.

Light Painter Photography, Stroudsburg, PA

Dan Mohr’s specialty is fine art nature photography.  He showed many works of the beautiful countryside of the Poconos.   He explained to me the high quality of the inks that are used in his giclee prints, and that they can last for 50 years or longer, depending on display and storage.   His works are printed on canvas wrapped frames, making an actual frame unnecessary if so desired.  The image detail and colors can have you reliving your last trip to the Poconos, or wishing you were planning such a visit.

Olevano, Wilmington  DE

Olevano gets its olives from their family farms in southern Italy, and produces their oils, cosmetics, and soaps in Wilmington.  I can attest to the tastiness of their lemon infused olive oil, and there are many other flavors such as red pepper and white truffle.  Their soaps are lovely and are made in a variety of fragrances.  They seem to be able to do anything and everything that one can do with olive oil.  I thought the design of their honeycomb olive oil soap was just darling.

Add the above mentioned artists to another 255, and you have yourself a very full day, and perhaps a very full weekend.   The next Sugarloaf show will be in Gaithersburg, Maryland, the weekend of  November 18th.  They will be back in Philadelphia on the weekend of March 16, 2012.

—  Written by Diane Olivia

Pennsylvania Dutch Hex Signs

I recently moved to an area of Berks County where Hex signs are very prevalent. Growing up I had always seen Hex signs since some of my family background is Pennsylvania Dutch and my grandparents didn’t live too far away from the area.  My continued driving around my new home increased my fascination and I needed to know more, if I was going to design my own. Were there meanings behind these designs and what were they all about?  I went to the local library and checked out some books, picked up some pamphlets around the area and trolled the internet.

There are differing camps in regards to the meaning of Hex signs and even a differing of opinion in where they originated.  Some people say that different parts of the sign mean something.
 Scalloped Border- Tranquility, Smooth Sailing
 Closed Circle Border- Eternity Triangle, Trinity
 4-Pointed Star- Good Luck
 5-Pointed Star- Star of Bethlehem, Protection Against Evil
 Double 5-Pointed Star- Morning Star, Sun and Light
 6-Lobed Petals- (Open Tulips) Faith, Fertility, Safeguard from Harm
 6-Pointed Star- Good Luck, Good Fortune
 8-Pointed Star- Perseverance
 Double 8-Pointed Star- Fertility
 12- Pointed Star- Rationalism and Justice
 However, there are other people who say that the signs have no meaning but decoration. They are simply a folk art decoration for barns that became popular when paint became a more affordable medium.  Hex signs were also said to be a way to ward of witches, but the Pennsylvania Dutch will say they are “chust for nice.”  Originally, the Hex signs were believed to originate in the mid-1800’s when the paint became affordable, but 4-foot wooden stars have been found on the gable ends of barns dating back to the 1700’s.

Whether you believe in the “meanings” behind the Hex signs or just enjoy the simple beauty of Pennsylvania Dutch Folk art, Hex signs are an interesting part of U.S. art history.  Check out some of the popular Hex sign artists: Jacob Zook ,  Johnny Ott, and Eric and Johnny Claypoole .

One other misconception of the Pennsylvania Dutch Hex signs is that they originated from the Amish. The Hex signs are prevalent in Amish Country, but they are not Amish, you will not see Hex signs on any Amish barns.  The Amish and Mennonites are known as plain folk and their religion prohibits such “fancy” ornamentation.

Come visit Pennsylvania Dutch country.  There are several tours available for seeing some of the extraordinary Hex sign barn art.  Hex Barn Art Tour, and http://www.hexsigns.org/,

In exploring the rich history of the Hex sign I began to create my own Hex signs for our home. Right now I am in the middle of designing my first Hex sign.  I have created it on paper and am in the process of working it onto wood.  It has been an interesting experience for me because of how measured everything is.  I haven’t worked with a protractor and compass since I was in elementary school.



Heidi Kelly
HUGs Blog
http://phillyart.net/heidifalatek/
HUGs on Facebook

Watercolor tip: use salt to make snow!

Posted On December 14, 2010

Filed under DO IT YOURSELF
Tags: , ,

Comments Dropped 3 responses

Salt soaks up water, right? Well, using salt on your watercolor paintings is a fun way to create abstract, starburst patterns. If you use salt on a blue sky scene, it looks a lot like snow. Below are the steps I used to create this little winter-scape painting.

For the house shape (this has nothing to do with salt yet) make two angular shapes with a dark brown and a slightly lighter brown. Achieve the lighter brown by adding water to the dark brown in your mixing tray. This two-tone look adds to the sense of depth and perspective. For the snow-covered roof, use a light wash of blue to indicate the shadows of the snow. Leave some of the roof, where the sun would hit, empty (white) to make the snow look bright. For snow on the ground, use a very light wash of blue to indicate some of the shadow areas.

Now for the sky. Put a couple of dabs of blue watercolor in your mixing tray. Use your brush to transfer the water from your water cup into the mixing tray. If you are using dry water colors, just add drops of water to the color block. Either way, think of the brush like a miniature mop, soaking up some water and carrying it over to the mixing tray.

Once you have a good amount of really watery blue color, you are ready to add the sky. I was working in a small area so I only needed about a tablespoon of blue water color. Use a wide, flat brush (see mine above) to apply the blue color to the sky. Work as quickly as you can to avoid blending problems. Imagine pushing and guiding the water color across your painting. As soon as you see that your brush is out of color, quickly dip it back in the color tray to get more. This step, if you work in a small area like I did, should only take you about 20 seconds.

Now for the salt. Before the blue sky drys, sprinkle course Kosher salt on top of the sky area. Leave your painting to dry completely, with the salt on it.

When your painting is dry, brush the salt off of it. If the salt sticks to the paper, use the handle end of your brush to gently pick it off. To finish my painting, I used gouache to fill in the yellow windows, dark door, chimney smoke, and decorative red border.

Happy painting! – Kate Holeman from The Lettered Set

Interview with Gigglepotamus

1. Would you introduce yourself, your background and how Gigglepotamus came to be.

My name is Lauren Meakim, and I am lucky enough to stay at home with my 3 little boys, Maxfield (6), Wyatt (3½), and Jackson (1). They are really the reason & the inspiration behind Gigglepotamus. I graduated from the Tyler School of Art with a degree in Graphic Design & Illustration. I always saw myself going into children’s book illustration, but I don’t think I was really prepared right out of school to tackle the competitiveness of the freelance world. I still have no idea how one goes about getting a book deal!

Anyway, art always remained in my life in one form or another, but it wasn’t until I was expecting my first son that I started noticing an interest in fabric. One thing led to another, and before I knew it, I was making simple quilts and baby items. That was over six years ago, and its amazing how much I’ve learned and grown in that time. I’ve since returned to my roots and added prints and paintings to the collection of items I sell.

2. I want to ask you about your collection on Etsy but first tell me about your avatar.

avatar

Well, my husband was working on a post for his own blog (http://www.poopandboogies.com) one day. I can’t remember specifics, but he was gluing googly eyes onto his chin with peanut butter & filming himself upside down doing some silly act. Of course, the kids wanted in on it, so we let them have a go & I snapped that picture of my oldest. I guess it depicts how I want Gigglepotamus to be perceived- lighthearted and fun, so I decided to use it as my avatar.

3. And the humble houses on Etsy are adorable. Tell me how they got into your collection and how you create them.

humble house

The houses came about after what seems like years of trying to find a way to merge my art & craft.  When we were planning my youngest son’s nursery, I got the idea to hang a set of colorful little houses in a row above his window.  I started playing around with some scrap wood and paint, and liked what was happening.  The first ones were a bit different than what they’ve evolved into. Now I use more muted colors and although I think they’re just as whimsical, I also think they now reflect more of my personality.  I guess I sort of had a breakthrough moment when I started adding text to them, and from there, it was only a matter of time before they took on their own little stories.  All of the decoupaged images are reproductions of my paintings.  Several layers of paint and sanding are worked over repurposed wood to give them a weathered patina. Finally, some details are finished off with a woodburning tool for added dimension.  I’ve always been a fan of small format art, so they seem to be a good fit for me. 

4. What other items have you sold on Etsy?

I sell a lot of hats in the fall & winter, so I probably won’t list any for a while, although I do have bunny hats, like the one in this photo, that are available for spring/Easter.

bunny hat

 The prints are mixed media: acrylic paint, fabric, and text from storybooks.  Both the prints pictured use excerpts from The Velveteen Rabbit, a story which I also use quite often for my houses. 

 

 

 5. If you could pick one thing you do best, what would that be?

The one thing would be that I have a good eye for color and design. It’s just something that comes naturally to me. I rely a lot on my drawing background, and lately I’ve been incorporating it more with other elements, such as text, fabric, found objects, etc.  I like to think my work is different, because it comes from me, plain and simple. 

6. Tell me about your workspace.

studio

I am very fortunate to have an extra bedroom in our house which is dedicated to all of my crafty endeavors. The photo shows my sewing desk & cutting table. What it doesn’t show is the horrible mess that doesn’t really ever go away! I like to think of it as organized chaos. Other than that, I have another work table, a LOT of fabric, and an ironing board that stays out. As of late, even though I said I would never do this, I have also taken over my dining room table as an area to produce my paintings and humble houses.

7. How has the popularity of the internet affected your business?

I think at this point, I would be crippled without the internet. I use it for everything from doing my taxes, to connecting with other artists, researching what shows and competitions to do, and finding inspiration. Even though it’s been around for a while, so many of us artists are just starting to scratch the surface of the possibilities for networking, marketing, and exposure. I can’t say that I do a lot of internet sales, but I’m so grateful to have my little blog address so customers that I meet at shows can follow me and see what I’m up to, and where I’ll be next. And of course, the Handmade Philly group has provided tons of valuable feedback, information, and advice to myself and others like me.

8. So, what are your plans for the rest of 2010?

I always joke that I have way more ideas than I do time, but this year I would like to focus even more on my paintings and drawings. I also would like to develop some wholesale accounts and/or more consignment relationships, so that I can spend more time making stuff, and less time out at shows. I love getting out and meeting customers and other artists, but it is incredibly difficult being away from my family on weekends.

You can see more of Lauren’s creations and read her blog at these links

Etsy: www.gigglepotamus.etsy.com

Flickr: http://www.flickr.com/photos/gigglepotamus/

Facebook: www.facebook.com/pages/Gigglepotamus/173094083894

WordPress: http://www.gigglepotamus.wordpress.com

This is third in a continuing series of interviews, let me know what you think. 

Jan Cohen, http://www.thejmccollection.com

Interview with Wearable Artist Jessica Singerman

 

  What is your training in art & Design
I have a BA  in Studio Art from College of William & Mary, Virginia and an MFA in painting from the University of Delaware.
During my Jr. Year Abroad, I spent a semester studying drawing, painting, graphic design, and jewelry making in Florence.  The other semester was spent in Paris with Parsons School of Design.
 When and how did you begin.
Some of my earliest memories are of sitting at the dining room table and making things with my mom—miniature food out of salt dough, miniature books for my dolls (I’ve always been obsessed with miniature everything), origami, knitting clothes for dolls, etc…
By high school, I was drawing and painting a lot, sketching wherever I went… I took my first life drawing class when I was 15 and living in Tours, France.  That was an important point for me—I’ve always been in love with the figure.
Jewelry-making: I had been making things with beads since I was really young- I started playing around with metal my sophomore year in college, and ended up running a jewelry-making business out of my dorm room (so pro!)  That’s actually when the name “naida’s notions” came about (Naida is my maternal great grandmother’s name)
 How would you describe your work
some words I think of are: organic- nature based – biological – my husband says my use of color is fearless
I’m very interested in relationships between line and form, in pushing color around until I am surprised by the reaction or relationship created.
I started using pinks, reds, purples, magenta (I love magenta) in grad school, and it really rocked my world!  I had stuck to fairly conservative color throughout my work with the figure.  It’s funny- my last year in college I was doing sort of feminist work—very political in my mind—really trying to say something.  In grad school, once I embraced using those very “feminine” colors, it was a big turning point for me.  I had also made a shift to doing mostly abstract work rather than figurative.  I actually started doing abstract work in a sort of counterintuitive way.  I had never really worked from photographs before, and in order to start abstracting my work, I began using photography to help me see in a different fashion.  I would move the camera while shooting, get blobs of color and light, and motion blurs.  I painted what I saw in the photo and ended up with abstract figuration. From then I moved away from the figure entirely (well, for the most part)  It’s interesting to me that most artists would use a photo to make work look “real”(and there is nothing wrong with this), while for me it was a tool to bring my work more into the realm of painting for its own sake.

I love this photo of Bear- he looks like he's daydreaming.

I love your use of color.  Where do you find inspiration for your paintings.
being outside- the way light falling on something creates shapes and changes a color- light falling through foliage in the forest- paddling down a river, hearing rushing water around me, and watching the water play- microscopic, biological images
I can’t really pinpoint everything, because in a way everything inspires me.
The Bay Area artists of the 50’s and 60’s, primarily Richard Diebenkorn (and not just his work from that time, but also later- Embarrassingly I once actually cried when talking about a painting of his in a job interview for a teaching position. Not surprisingly I did not get the job. I really don’t know what came over me. Must have been nerves.)
Agnes Martin’s meditative, subtle, slightly imperfect grids
the fact that Gerhard Richter can flip from figuration to pure abstraction and back (where a brushstroke is literally it), and that he is OK with it
Mary Oliver’s poetry
Andy Goldsworthy’s use of color, form, and line in his landscape installations
the Japanese idea of “wabi-sabi” that values imperfection and impermanence
 I see you are fluent in quite a few languages.  How has that influenced your work.
That’s a tough one! Since I was old enough to realize it, growing up both bilingual and bicultural (my mother is French, and we moved back and forth between the States and France growing up) affected how I see myself-my identity.  I have a hard time identifying with a nationality or group of people, and have usually felt more comfortably and more at home in entirely different countries, namely Italy and Costa Rica.  I am sure that this sense of self must influence my work, but am not sure how…
They say that multilingual kids have a greater capability for creative thinking because you do not associate the usual meanings and connotations to a word that one language attribute to it.  Instead you have the range of meaning ascribed by all the languages you speak.  I guess this creates a kind of plasticity in the mind. who knows?
 

As far as making jewelry is concerned, it is refreshing to be able to make something that is unabashedly pretty!

View Jessica’s work at

www.naidasnotions.etsy.com
www.jessicasingerman.com
I am a new blogger for Handmade Philly.  This is a first in a seies of interviews I will be doing.  I hope you enjoy them and give me feedback.
  Thanks Joanne Litz
http://www.steelpony.com
http://steelpony.com/blog
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